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- 𝗟𝗲𝘀 𝗣𝗿𝗲́𝗰𝘂𝗿𝘀𝗲𝘂𝗿𝘀 𝗙𝗹𝗮𝗺𝗮𝗻𝗱𝘀 Rogier Van der Weyden et les frères Van Eyck au prisme de la perspective Ludovic Balavoine, Gilles Simon Sample Pages Available More Info: bit.ly/4ko36vy #Art #ArtHistory #Renaissance #Painting
- Discover our newest titles in #Renaissance & #Baroque #Art in the #LowCountries with this newsletter. Go to: bit.ly/4rDqhVe #ArtHistory #Rubens #Bosch #Borman
Biographie zum heute vorgestellten Maler Carl Spitzweg #OTD #ArtHistory #Biography de.wikipedia.org/wiki/Carl_Sp...- Who’s Afraid of Buddha 1998 A homage to Barnett Newman’s modernist provocation. Who’s Afraid of Buddha reframes the question of fear not through abstraction but through spiritual presence. Digital experimentation calm versus anxiety. #modernart #ArtHistory #SpiritualResistance #Art
- 'Witchcraft: a witch and a devil in a circle', woodcut, 1720, public domain, Wellcome Collection. Source: wellcomecollection.org/works/raywq8kp #WitchSky #art #ArtHistory #illustration
- Congratulations to all the winners of this year's publication prizes from the @medievalacademy.bsky.social! Fabulous work in so many fields. #MedievalSky #GlobalMiddleAges #History #ArtHistory #Chess
- By African-American artist Richmond Barthé (1901-1989), “Josephine Baker,” 1950, bronze, 10 1/4 x 6 x 8 3/4 in. (26 x 15.2 x 22.2 cm.), photo: Swann Auction Galleries. More in ALT. #arthistory #blackart #blackartist #sculpture #BlackHistoryMonth
- Gum 2001 identity, consumption. Where analog memory meets digital archaeology. Layering physical textures into the virtual space to preserve the tactile. Building this for feministinstitute.org Internet archive archive.org/details/@mar... #ArtHistory #FeministArt #ArchiveContemporaryArt
- By African-American artist Charles White (1918-1979), "Awaken from the Unknowing," 1961, compressed charcoal, brown, & gray vine charcoal w/ scratching out, blending, and erasing, Blanton Museum of Art. More info in ALT. #blackartists #BlackArt #BlackHistoryMonth #artHistory #art #drawing
- One month in which to apply! #earlymodern #arthistory
- 𝗭𝗲𝘂𝘅𝗶𝘀 𝗿𝗲𝗱𝗶𝘃𝗶𝘃𝘂𝘀 𝗔𝗿𝘁 𝗲𝘁 𝗲́𝗺𝘂𝗹𝗮𝘁𝗶𝗼𝗻 𝗱𝗮𝗻𝘀 𝗹’𝗘𝘂𝗿𝗼𝗽𝗲 𝗱𝘂 𝗫𝗜𝗩𝗲 𝗮𝘂 𝗫𝗩𝗜𝗜𝗲 𝘀𝗶𝗲̀𝗰𝗹𝗲 Mathilde Bert, Ralph Dekoninck, Laure Fagnart (eds) Plus d'Infos: bit.ly/4c2fUWb #Renaissance #Art #ArtHistory
- By African-American artist John Wilson (1922–2015), “Oracle,” 1965, ink , chalk, and collage on paper, Estate of John Wilson/Licensed by VAGA at Artists Rights Society (ARS), New York, via The Metropolitan Museum of Art, New York. More info in ALT. #arthistory #drawing #blackart #blackartist
- Un Personnage Debout et Nu by Jean Cocteau, 1958 (pastel on paper) #jeancocteau #drawing #polymath #art #arthistory #avantgarde
- 🔎 Februarius panel from the 3rd-c. mosaic of the months at El Djem, Tunisia. It was the shortest month of the #Roman calendar from which the Julian & Gregorian February derived. The word is derived from februum, a tool used for ritual purification. #mosaicmonday 🗃️ #arthistory 🏺 #archaeology #art
- Leonardo da Vinci (1452-1519): The Virgin, the Infant Jesus and Saint Anne, ca. 1503-1519, oil on wood, Musée du Louvre, Paris. Da Vinci left many works unfinished. He was a perfectionist and a procrastinator. The two often go hand in hand. #arthistory #painting #oilpainting #art
- 🐐 After dogs, goats are definitely the best! Look at this beautiful goat on a skateboard! 🛹 #goat 🗃️ #arthistory #skystorians 🏺 #art #Greece
- This in person (UK) and online! A reading and discussion of Annah, Infinite, an experimental work of creative non-fiction that challenges #ArtHistory, confronts colonial #ableism, and reclaims a stolen spirit… the young girl in Annah la Javanaise (1893-94), Gauguin’s famous painting. #Lit #ArtSky
- Please join us at SOAS and online for HOW WE APPEAR AND HOW WE ARE FELT: A Conversation w Dr Khairani Barokka about ANNAH, INFINITE. Can’t wait to be in convo w Dr Anandi Rao and with all of you via Q and A. JAN 29, 5-7PM BST, Register via QR code www.soas.ac.uk/about/event/...
- Three-year #postdoc in Bern for an art historian specializing in #medieval or #earlymodern textiles. #arthistory
- 𝗡𝗮𝗽𝗹𝗲𝘀 𝗮𝘀 𝗟𝗮𝗯𝗼𝗿𝗮𝘁𝗼𝗿𝘆 / 𝗟𝗮𝗯𝗼𝗿𝗮𝘁𝗼𝗿𝗶𝘂𝗺 𝗡𝗲𝗮𝗽𝗲𝗹 Style Options, Artistic Rivalry and Self Fashioning in Neapolitan Baroque Painting Elisabeth Oy-Marra, Heiko Damm (eds) More Info: bit.ly/4t0r5oz #Painting #Italy #ArtHistory #Art
- #ArtHistory 🗃️ 🐡 Just announced: Medievalist Aden Kumler will present the 75th A.W. Mellon Lecture at the National Gallery of Art, May 3-24, 2026. Kumler will explore 'difficulty' as a medieval aesthetic and theme, using her research into how material conditions shape human thought and action.
- #ArtHistory 🗃️ 🐡 Happy Sunday, Blueskiis If you’re in the path of Winter Storm Fern, I hope you are safe and warm. Henri Matisse, "Snow Flowers (1951)” • More in the ALT
- Look closely at the beard to find the upside down portrait of a young woman in this work by Peter Paul Rubens (1577-1640), Portrait of an Old Man, ca. 1609, oil on paper, offered at the upcoming BRAFA Art Fair. More in ALT. #arthistory #art #painting #oilpainting #portrait
- By Vietnamese-French painter Mai Trung Thu (1906-1980), "Grand-Mère (Grandmother)," 1944, ink and gouache on silk mounted on cardboard, 60 by 45 cm; 23 1/2 by 17 1/2 in., photo: Sotheby’s Hong Kong, July 8, 2020 More info in ALT. #Art #arthistory #asianart #vietnam #vietnamese
- 𝗥𝗲𝗻𝗮𝗶𝘀𝘀𝗮𝗻𝗰𝗲 𝗮𝘀 𝗥𝗲𝘀𝘂𝗿𝗿𝗲𝗰𝘁𝗶𝗼𝗻 𝗔𝗹𝗯𝗲𝗿𝘁𝗶’𝘀 𝗛𝗼𝗹𝘆 𝗦𝗲𝗽𝘂𝗹𝗰𝗵𝗿𝗲 𝗶𝗻 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝘅𝘁 𝗼𝗳 𝗤𝘂𝗮𝘁𝘁𝗿𝗼𝗰𝗲𝗻𝘁𝗼 𝗙𝗹𝗼𝗿𝗲𝗻𝗰𝗲 Timothy Verdon, Giovanni Serafini (eds) Sample Pages Available More Info: bit.ly/3LHmTcz #ArtHistory #Art #Renaissance #ChristianArt
- By Alexandre Cabanel (1823-1889), The Fallen Angel, 1847, oil on canvas, 120.50 cm × 196.50 cm (47.44 in × 77.36 in), Musée Fabre, Montpellier, France. #art #arthistory #painting #oilpainting
- 𝗪𝗶𝗹𝗹𝗲𝗺 𝗮𝗻𝗱 𝗔𝗱𝗿𝗶𝗮𝗲𝗻 𝗧𝗵𝗼𝗺𝗮𝘀𝘇. 𝗞𝗲𝘆 𝗙𝗿𝗲𝘀𝗵 𝗣𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲𝘀 𝗼𝗻 𝗧𝗵𝗲𝗶𝗿 𝗢𝗲𝘂𝘃𝗿𝗲𝘀 Lien Vandenberghe 𝘚𝘢𝘮𝘱𝘭𝘦 𝘗𝘢𝘨𝘦𝘴 𝘈𝘷𝘢𝘪𝘭𝘢𝘣𝘭𝘦 More Info: bit.ly/3LRCFBs #Renaissance #ArtHistory #Art #ArtHistorysky #Painting
- By Ben Shahn (1898-1869), “Identity,” 1968, mixed media on paper, 101.6 x 69.8 cm, Museo Nacional Thyssen-Bornemisza, Madrid. More info in ALT. #art #illustration #drawing #arthistory
- Also a question for the #ArtHistory bsky crowd...
- #hpbio, #histbio, #philbio, 🐋🌱, 🌱🐋 friends, anyone know of an artistic/historical study of the changing placements of the Owen/Darwin/Huxley statues in the @nhm-london.bsky.social @nhmlibraryarchives.bsky.social? 1/2
- By Rembrandt van Rijn (1606-1669), Return of the Prodigal Son, ca. 1668, oil on canvas, 262x205 cm, The State Hermitage Museum, Saint Petersburg, Russia. #art #arthistory #painting #oilpainting
- #ArtHistory 🗃️ 🐡 Happy Sunday, Blueskiis Enjoy 19th-century Stockholm on a snowy afternoon... Influenced by the Impressionists, this Swedish painter captures the nuances of daily life, with a keen eye for light and atmosphere Wilhelm Smith “Winter Scene from the Streets of Stockholm” (1896) • ALT
- 𝗜𝗻𝘁𝗲𝗿𝗽𝗿𝗲𝘁𝗶𝗻𝗴 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗲 𝗦𝗲𝗹𝗲𝗰𝘁𝗲𝗱 𝗪𝗿𝗶𝘁𝗶𝗻𝗴𝘀 𝗼𝗻 𝗔𝗿𝗰𝗵𝗶𝘁𝗲𝗰𝘁𝘂𝗿𝗮𝗹 𝗛𝗶𝘀𝘁𝗼𝗿𝘆 Lex Bosman More Info: bit.ly/4qqwKTh #Architecture #History #ArtTheory #ArtHistory #Medievalsky #MedievalArchitecture
